since we met ark in spain a while ago. after being around since 1997, we were curious what he would do for a small label like klamauk. well, we are happy that we ve got one we really love for its moods. his track >fat runner< is a deep growing house track with arks typical kind of breaks, getting faster and faster, ending in a true dance monster. welcome to the klamauk family

rora is a new promising label from switzerland. strictly vinyl-only release. first come first served!!

fully armed with their voltage controlled gear, the two germans are deep in the early 80ies. their very own interpretations of the sound of that decade are fully authentic (b2: memories), analogue and very rough(b1: alles klar). the classic analogue sequencer mello flows and changes (a1: frequency 99 / a2: komm mit (join us)/ a3: blicke (views))and their neverending drumcomputer flows still got the warmthof the 80ies. german and english spoken vocal phrases add a lot of more atmosphere of the zeitgeist, you can trust!
black vinyl pressing.

fully armed with their voltage controlled gear, the two germans are deep in the early 80ies. their very own interpretations of the sound of that decade are fully authentic (b2: memories), analogue and very rough(b1: alles klar). the classic analogue sequencer mello flows and changes (a1: frequency 99 / a2: komm mit (join us)/ a3: blicke (views))and their neverending drumcomputer flows still got the warmthof the 80ies. german and english spoken vocal phrases add a lot of more atmosphere of the zeitgeist, you can trust!
transparent vinyl pressing.

great mark e mixes of a new track by brazilian fusion/ jazz deities azymuth. side a is the west-midlands dj producer mark e’s full length mix that stretches out over 10 and a half gloriously produced chill-wave minutes. mark e brings this natural progression mix to late-night dance floor life drawing upon his wide-ranging influences – rave, early chicago house, industrial house & disco – to produce his quintessential steady-beat rolling loops. the free groove of azymuth combines perfectly with the steady-beat darkness of its re-creator as the hypnotic synths layer upon heavy percussive beats & interspersing breathless mengo vocals. side b is for the clubs, the djs and the heads. two mixes that bring the beats to the fore as the pounding bass surges faster and harder on these dub and beat journeys. limited to 500 copies!

alert! uk electro pioneer & breakin labelboss ed dmx participates in the shipwrec adventure by delivering 6 killer tracks on this cosmic awakening ep. from drexciyan electro to cosmic downtempo synth-driven funkyness to faster acidic driven basslines to real uptempo braindance food! dmx krew is still a leader when it comes to producing analog dance music with that typical oldschool vibe, mixing styles without a sweat. hot release!

played and supported by chris liebing, tommy four seven,speedy j, adam x, norman nodge, colin dale, dave ellesmere, brendon moeller, audio injection, forward strategy group, arnaud le texier, ness and more.
second release for the label created by darkcell. another step in the deep darkness of the modern techno, industrial, where the sounds come together to repetitiveness. sounds powerful but always hidden by a fog that makes the original track for a walk in our modern times. the remix of perc (perc trax, clr, etc.) makes the whole vision faster and stressful .. creating a set of rhythmic and repetitive sounds that destroy and alter any vision around ourselves. the version of bcr boys (nachtstrom schallplatten, darknet, etc.) has drawn much more syncopated, and industrial, the sound cut the atmosphere created by the syncopated rhythms ... a set of mysterious forces surrounding the whole track. power of darkness!

don’t be fooled, for a second. “this is a sad, sad song / for all you sad, sad people,” announces ganglians’ creative core and lead singer ryan grubbs at the outset of the sacramento-based band’s second lp, still living. the guitars, strummed with sun- rays, and the percussion, sprightly with springtime enthusiasm, tell a different tale.

cisco cisco reappears on the spanish label apersonal music with more nudisco quality from the portuguese duo. 2 original tracks, higher the perfect weapon for the techydisco lovers and brothers in arms freshing up the release with an enchanting laid-down groove. a solid offer that reaffirms the promising relationship between this rising artist and apersonal, under which they debuted last year. apersonal always has excellent offers on the remix department. so its no surprise to see names as greg wilson on their catalog, a producer regarded as one of the most important figures on the uk dance scene. remixing higher he gives a different edge and tempo to the ep, with a faster version for the higher times.

kill kill is the name of the last ep of wat, resulting from the electro rock odyssey wonder. a video clip, filmed in los angeles, accompanies the output of the song, with remy cayuela (one more prod) at the helm. the track, electro tinged funk and hip-hop, sounds like the soundtrack of a rebounding road movie. kill kill is an indirect reference to movies from the 60’,s, and among others, those of russ meyer. faster pussycat kill kill, does it ring a bell?
support by : bbc radio1, larry tee, le mouv , steve aoki (dim mak), far too loud, radio nova, dj mag spain, maelstrom...

who am i? thats what ruede hagelstein asks himself when he looks at the reflection in the mirror every morning when he gets up. then the image goes into the studio and produces tracks for upon you for him. the first one sings >give a little slap to your soul< darkly and romanticly at a relaxed 120 bpm into the mike and has taken up lodgings on a1 of our uy 047. the second plays piano, even if just paraphrased. the b1 beat requires a slightly faster dancer that a1. then the third member of the group on b2 with a quite definitive minimal touch, sounds a bit like peter and the wolf at the lsd opera … hop hop off you go then my lovelies.

2x12 inch & 11 track cd album shrink-wrap bundle. >nil by ear< is sate of minds third studio album, the first two being take control (uprising) & faster than light (som). this album represents the peak so far of the lads technical skills, its carefully produced from start to finish. tracks are frequently tied together, and a lot of thought has gone into the flow of the album. this is one that can be listened too from beginning to end, as opposed to a collection of singles.

passion has always been one of marcus meinhardts favourite subjects. he has managed to secure the singer fabian reichelt for his latest release on upon you, fabian has intertwined the theme of eros and thanatos delicately within the beats. fabian is known for his collaboration with marek hemmann, who recently produced his album with him. >dont look into my eyes< is a typical meinhardt styled club track that has been sweetened by fabians voice giving it a certain pop-appeal and funkyness that is sure to get the hearts pumping faster on the dancefloors. his producer partner andreas henneberg adds his more cantankerous style to this track with his the glitz remix on the flipside firing the whole thing up with some strategically placed strings

hot on the heels of our frantic summer release schedule and by way of (prematurely) welcoming the fall/winter season, we have prepared a little collection of our own. featuring established culprits from the label roster as well as exciting new additions and alliances we proudly present another defining moment in our auditory evolution: >wake me up at 16:05< is a snapshot, a landmark and a sure sign of bigger, harder, faster (maybe not that much) things to come from us. enjoy!

hot on the heels of our frantic summer release schedule and by way of (prematurely) welcoming the fall/winter season, we have prepared a little collection of our own. featuring established culprits from the label roster as well as exciting new additions and alliances we proudly present another defining moment in our auditory evolution: >wake me up at 16:05< is a snapshot, a landmark and a sure sign of bigger, harder, faster (maybe not that much) things to come from us. enjoy!

one year later the label panacustica delivers a slamming second twelve inch rats mother followed by a brilliant prins thomas remix, plus a detroit inspired instrumental by stay gold, argentoÆs alter ego. the record opens with a dreamy version where a plucked string intro and rats voice drive you into a deep, cinematic, adult dance groove. this laid back, psychedelic track flows well beyond your usual dance floor act into eno-esque territories. prins thomass mix is faster, happier and jumpier. its an amazing balearic trip with a live warm feel to it in which a guitar plays along the melody, accentuating the spaced out feel of the track, lifting it into higher states. stay gold gives the listeners a techno version where sparse, mechanical drums and a minimized melody take us to the motor city (citta dei motori) for a night drive in the dark. own it, feel it, play it loud.

a first collection of on this new us label that is dedicated to bring contemporary edge by up-and-coming producers from chicago: garo, lokua, slava. and thats what they do here. a sweet collection of 7 solid tracks. given the locale, there is an undeniable house presence. its spirit spreads far and wide and permeates a great variety of styles of both slower and faster tempos. this album is as much for the club as it is for the tranquil home-listening environment, the deep synthesizer textures, ever-changing rhythms and rich melodic content will speak to you independent of setting. limited and well produced release! check!

the long awaited vinyl ep by candian hardcore techno machine razor edge on al twisteds scottish based motormouth recordz. >fuck the end timers ep< features 4 tracks of bone crushing industrial hardcore techno with 3 tracks clocking in at just 155bpm and a faster 177bpm track >nuclear healing< - this oneis for the real industrial headz!

this music works by releasing carbon dioxide gas into a batter through an acid-base reaction, causing bubbles in the wet mixture to expand and thus leavening the mixture. it is used where the batter lacks the elastic structure to hold gas bubbles for more than a few minutes. because carbon dioxide is released at a faster rate through the acid-base reaction than through fermentation, music made by chemical leavening is called >quick compositions. the tracks are made up of an alkaline component, one or more acid salts, and an inert starch (cornstarch in most cases, though potato starch is also used).

this man cant currently be stopped. following his releases through the 2nd season 2009 (>marvin” on compost, >smaul 06< & >smaul 07<) in january 2010 acid paulis >riverboat tour< came out. now, it seems he opens this years summer season with these two psychedelic thrilling tracks. even though he had been touring a lot with the notwist last year, acid pauli was pretty often an invited, musically refreshing guest in berlins minimal techno (what ever) scene. den mahlstrom rauf leaves no doubts about. great build up he does by keeping tension over five minutes to unlash finally the madness charge with a levitating reverse-ducking-compressed melody. den mahlstrom runter (a play on words of travelling on a boat and getting milled…) seems to be the return from the trip he gives on side a. it is the same track reworked. his musical drama goes faster but deeper under the cortex – but >how lucky a fate< deliverance comes at right time taking the track over to a known housy and deep realm.

after more than a decade, dj maaco is putting d.i.e. back on the map. pure detroit electro tracks in the tradition of juan atkins model 500 project and aux88 and the likes. detroit in effect are the knights of pure detroit electro techno!

repress of the 2001 release!!

frazzbass vs exagon for a 6 track hardcore meltdown!!

stunning new package with a deep, melodic and belearic minded nu disco track by maria basanov and remixes from ilya santana (balihu), who adds some strings for that special kind of magic, nick cachona with a faster dubed out take aiming right at the floor and a italo funk rework by ichisan.

paul ritch covers the a-side with a faster paced house version encompassed in a rich background of high intensity and psychedelic notions while prompt spoils his listeners with a relaxing yet slightly trippy experience. last but not least henry saiz leaving the listener pleasantly lost in seven minutes of sheer techno heaven

as the days get darker so shall the music, so on that note we welcome back the fold moscows own polymorphic with the ever turbulent rock on ep. this time out polymorphic delivers the goods with 3 new tracks, rock on, scream & move faster. the ep also features a remix of the title track by marseille who also had a hand it turning out proxys raven last year. this ep is not for the feight at heart. both mixes of rock on tear things up with a decidely old school electro undercurrent while keeping things noisy and agressive on the top end. and there s only one thing we can really say about the last two tracks because they are that scary... scream will make you move faster.

boogie house from ltj... no, not bukem, whereas luca trevisi, the longstanding producer from irma. sound machine is downtempo and full of groove. side b bpms are slightly faster in on the floor. more spacey deep house to enjoy dancing... get on the floor.

played by len faki, joris voorn, secret cinema, housemeister , funk d void, steve rachmad... alexander kowalski is back! after more than a year of not bringing out any new releases and leaving the >different< label, the first 12inch is now to appear on his own label >damage music berlin<, dmb for short. >the heat of the night< clearly takes the former kanzleramt flagship back to its original deep sound. this energy-laden dub-techno number is sure to make the dancers hearts beat faster, and to make them sweat - in the heat of the night... >its been a long way< is a typical pushy kowalski techno track that dares the tightrope walk between rolling basses and melancholic soundscapes. as for >dont judge me (just because i like the rave)<, the name says it all! this track is one of the smashers in the current kowalski live sets and has already taken apart a number of clubs in the process. alexander kowalski decided to found a label of his own primarily to release his own tracks that he has either tried and tested as part of his live sets or fresh ideas straight from his studio. in time, he also wants to provide a platform for other artists to publish their music. time to damage!

dj support: endymion, dj d, giangy (ex stunned guys), manu le malin, broken rules, peaky pounder, the outside agency and many many more
finally the long awaited gpw010 is ready! once again the gunpowder rec. brings you an absolutly slamming release composed by 4 monster tracks that, following the typical gpw mission, provides various hardcore styles ready for all the dj bags out there, from mainstream to faster and industrial sounds. except for the already wellknown hit >dig it< created by gif phobia, you will find other three demoniac gems composed by the soldiers of gunpowder family, assembled to offer one of the most complete and interesting screaming hardcore vinyls of the year! yes, the gunpowder rec. is still here, fuck off the global economic crisis and keep the real underground noise alive!
this label is dedicated to hardcore music, raw sounds, noise, industrial beats, distortions, big and fat kicks!from mainstream to experimental, from climax floorfilla to dark influenced hard bases, this label is all about hardcore. every release contains different styles, every release is a surprise and every release can be played in various djsets, because there is ever at least one track good also for you.the logo is a restyled version of the old personal logo of gif phobia, now used for a more global and massive project! now shared with all the artists of gunpowder records.

electronic music of the highest order here, think kraftwerk / early ur etc, this debut release from elekridas on the universal human underground label is a beautiful, deep, spacy 4-track journey that is well worth taking!

a new member to the 4lux family the talented alex agore! his productions are drenched with pumping beats, catchy riffs and funky deep grooves. to give some quick references we could say that alexs 1st twelve for 4lux is reminiscent of some of moodymann and theo parrish tunes fused with some dj sneaks uplifting spirits. 4 tracks with the syncopated collage of quiet jingling, subtle handclaps, keyboard melodies, and soul-drenched vocal samples and phat phat basslines! this will sell out even faster then the previous kez ym release on 4lux. you missed that one? don t sleep on this! essential house record.

a new member to the 4lux family the talented alex agore! his productions are drenched with pumping beats, catchy riffs and funky deep grooves. to give some quick references we could say that alexs 1st twelve for 4lux is reminiscent of some of moodymann and theo parrish tunes fused with some dj sneaks uplifting spirits. 4 tracks with the syncopated collage of quiet jingling, subtle handclaps, keyboard melodies, and soul-drenched vocal samples and phat phat basslines! this will sell out even faster then the previous kez ym release on 4lux. you missed that one? don t sleep on this! essential house record.

delusions industry proudly presents release 3! after the big success of the first two releases on this dutch indie label here with another top kickin 4 tracker which is already in popular demand due to the heavy dj support... the a side kicks off with fuck your own face by dj obscurity & dj rampage, a terrific hardcore track full of hard bangin kickdrums, phat synth lines, tough sample use and cool edits, a true hardcore floorfiller! the a2 track is presented by chrono & the demon dwarf who just had their debut release on megarave records, a great more uptempo hardcore bomb which will be highly apprciated by those who like it a little faster! the flip side starts with the solo track by dj obscurity: obscure afterlife, a more spooky & raw hardcore pounder which is featured on the new thunderdome compilation (fight night)... the 12inch ends with captured by evil, also by dj obscurity, which is a more exprerimental track full of distorted kickdrums and heavy breakbeats. so all styles of hardcore are presented on this vinyl, another delusions industry masterpiece, do not miss out!!

played by luciano, lauhaus, kabale & liebe and many more. its about time! with >channel by channel< markus homm presents his first solo ep on highgrade. until now, this cosmopolitan citizen of the world, who shares his time between hong-kong, moscow, london and nuremberg – has been part of the successful collaboration: homm & popoviciu. one vinyl ep and three digital releases have already made a strong impression with the highgrade faithful. with this ep and its four groovey house tracks, markus homm signals the springtime. the title track >channel by channel< already foreshadows where this journey will end: fleet footed rhythms meet sweet chords and result in a sunny house groover that immediately kills the winter blues >torn< on the flipside is also built around an irresistible melody, while >xpander< (b2) gets things moving a little faster towards the end. proving again, how skillfully markus homm can create a deep groove from his handpicked melodic elements. it doesnt need much imagination to understand that these three classy tracks will bring their euphoric impact to every dancefloor they touch. thanks for letting the springtime roll, mr. homm!

reissue of album from 1975/a satisfying dramatics collection that includes their revised, campy version of me and mrs. jones, which had remained a staple of their live shows. astrology was riding high in the mid 70s, and (i m going by) the stars in your eyes provided fodder for astrological discussions as the guys poo poohed the differences in personality traits associated with the signs. a good balance of fast and slow tunes helps make this album a winner. good things dont come easy and never let you go are two frantic dancers that chug along faster than a speeding locomotive, while trying to get over losing you succeeds in treating losing your lover in a positive, uplifting way. the guys must have been loaded with material to keep this one off a 45. likewise for the aching, painful i cried all the way home, one of tony hesters best compositions, and easily the best ballad on the album.

a joint effort between prins thomas and word and sound- the idea behind the label is to put out good music and not limiting ourselves to stick with a specific genre, instead opting to stay fresh and individual with each release going in every direction we feel. were gonna be highlighting new talent, re-releasing some lesser known nuggets and certainlly give you some dancefloor killers along the way to. from japanese techno to california kraut. just the way we like it...for int005 we bring you a slow house chugger in the form of break the barriers, done by malaysian born and berlin based frankie flowerz. i have to say, its not by choice i decided to put this track out but a calling... upon hearing this track in frankies myspace player i knew i had to put this out over 12 inches in full scope... i spent some time trying to come up with the perfect match for remix duties and i think weve succeeded with the choice of man of the moment(and soon to be legendary)john daly of galway who turns in a slightly faster, darker and a bit dubbier affair.

four ultimate pushing schranz monster by jli-project, felix kroecher, jason little and miss joana !!!

ltd backstock.. finest funky and rollin techno or faster techhouse two tracker for question fans

after the success of the beautiful and sultry ‚move with me‘ on poker flat 97, alongside patrick chardronnet‘s blissfully deep ‚days like these‘, david durango is back with three mesmerising tracks on dessous. like a dark, empty night made warm by the pure, reviving light of day, ‚striptease‘ is an epic tale of love and resolution. skipping, light percussion flourishes are joined by memorable chord phases that wash through and over the senses. a tender and sincere detroit style breakdown is then skillfully danced out with teasing, climactic moments of tension. ‚human‘ is by comparison a lighter journey, as durango trusts his rhythmic instincts and pulls out some fresh and airy hypnotising synth stutters and a rich palette of spacious percussion. neo-chicago stlye, ‚japanese revenge‘ is a faster paced deep-down groover that works chugging organ stabs and jacking beats along with glorious room-filling bending synth glides. it‘s a versatile track that sums up durango‘s unmistakable talent for creating an atmosphere and a celebratory, old-school vs new school vibe. durango‘s skilled, un-rushed style is the key here, and leads to three very unique dancefloor excursions, each with their own directions, moods and tingling electronic atmospheres.

faster driven siren infected darker minimal techno hot new split sound

faster working dark old school electro styled up with some vocoder voices

faster working techno by diskordia vs john thomas

big with: Âme, dixon, cassy, radio slave, gregor tresher, shinedoe, karotte. after the massiv feedback to their well received second release the white boys are back with another pair of marvelous tracks. white 003 delivers you all the ingredients for a long night in and out of the club. oskar offermann‘s >cherry bombs< is a sure floorfiller with a certain pop appeal. pumping straight forward minimal house with some tricky-trancy elements and a few breaks here and there to pleasure even the most sophisticated crowd. back from his journey through southern fields, edward presents us a beautiful piece of intelligent techno. >inverno< is a trip across one of those sticky summer nights, when you feel like the sweat is dripping on the inside. nervous drums and basslines will turn your mind and make your heart beat faster.

deep disco infected chicago house music be legendary joe smooth!!

truffle music returns with andrew allsgood at the helm again. the up and coming producer and longtime toronto dj shows his promise once again with this slow grooving funk masterpiece that stretches over 7 minutes. the song travels through many sections and passes, carried the entire time by a driving dub bassline and vocal. for the lovers of deep, dubby and funky house and disco. nycs drrtyhaze (tirk, gomma) are commissioned on the remix and deliver the goods with an up tempo hypnotic stormer that sizzles with its surreal energy and simplicity. drrtyhaze use few elements from the original other than the vocal, taking it into deeper territory with a faster tempo and groove and much more electronic feel to the originals organic vibe.

played by: adam beyer, magda, loco dice, tadeo, 2000 and one, miss kittin, laurent garnier, joel mull, xpansul, matt star… groovie, dancefloor friendly and fresh is how the latest martinez reference opens. it comes through cray1labworks, again breaking frontiers, the spanish label counts on the danish genius martínez, banner of re:connected, at the summit of current minimal. >you< is an orgy of sound layers, frequencies and blurred voices. >stavanger< moves faster, with a vibrant percussion, overlapping and ever-changing. dark minimal tech, remarkably complex & absolutely catchy. perfect for even the most demanding clubs. >burning the midnight oil< opens with a rebellious force. drums flying and bodies moving, the perfect mix between ritual & techno percussion. suddenly it transforms into house: thick pads moving down your spine. and you are surrounded. inside martinez latest hit

what can i do for you? its been a busy year for yapacc. released a handful of quality releases on wir, the green empire and lessizmore, remixed dole & kom, german pop-duo 2raumwohnung, co-produced three releases with good groove, the studio wizard is also working currently on his very first solo debut - coming out in march 2008 on neutonmusic. with >n!ce< yapacc returns to neutonmusic on where he has collaborated with fadila demirtas. ex-repeat repeat member, mark rutherford, shows his first solo work under his object object moniker. and proves easily why andrew weatherall calls himself a fan: this is dark, somehow trippy, much weirder (and faster) version of the original - which reminds us of submarine raves from back in the late 1950s... played by sven väth

unforgiven is an emotive and intense house track with an irresistible dancefloor flavour. straight 4/4 rhythms, beautiful layer of strings and cheerful keyboard stabs associated with the sublime voice of singer araba walton gives an impression of tranquillity to the track. on the flipside berlin dj star dixon is at the controls for an edit of roland appels dark soldier. dixons version is a pure dancefloor tear-jacker that will make your heart beat faster and that will fit perfectly in any house set.

faster banging uk club techno incl cave remix